I downloaded Jonathan Strange & Mr. Norrell by Susanna Clarke from audible.com about a month ago, and here's my review (the italicized sections are portions which I didn't have room to include in the online review):
Maybe I'm missing out on what's so "enchanting" or "enthralling" about this book, but I simply didn't find it very entertaining. At 32 hours of listening time, I didn't expect every moment to be a completely enrapturing experience, but there were times that I honestly felt like it was a chore to tune my iPod to this book to finish it.
The storyline was very interesting, and at times Clarke has moments of real magic in her wordcraft (i.e. the madness of Mrs. Delgado) but the "historical" information inserted between the action made this book read much more like a textbook than a work of fiction, which I'm sure is what Ms. Clarke had in mind. (This idea is bourne out by the interview on her website-- her influences and thought process are right in line with the creation of this work.)
As a fictional textbook, Ms. Clarke's writing is right on the money-- her stylistic execution is perfect at convincing the reader they are studying a Victorian history of the magical lives of the two characters.
(I'd like to reiterate here what a genius she is at creating this illusion- it's flawless. Her world-creation and history relation skills are completely breathtaking when you really think about it. I have enormous amounts of respect for the kind of careful writing and work it takes to achieve this kind of mastery.)
This, unfortunately, is the work's main downfall: the perfection Clarke achieves in Victorian textbook style makes for dry and often downright boring reading. As a fan of writers such as Thomas Hardy, Jane Austen and the Brontes, the style of this book was very familiar, and the choice of narrator was excellent to convey this style. His skill in portraying the characters made the book bearable and often enjoyable in ways not necessarily inherent to the text.
However, this book seemed more suited to the readers contemporary with the above authors, used to dry commentary and analysis and slowly-paced action. The character development is the story is also a little below-par. Most of the characters have that static two-dimensional protrayal found in a lot of Victorian literature: gender roles played out exclusively and without much expression, and certainly no question or explanation, which one would expect from a book 800 pages long.
(Once again, I have to interject my inner dialogue here: though the characters seem a little flat, this is largely due to the subtlety of Clarke's writing. The fact that she thought enough about the motivations of the characters to create a poly-motivational set of players is astounding to me. When you consider the nature of good and evil there is rarely an absolute on either side, and there are always reasons for the actions of both sides which are more complex and deeply effective than simple side-taking. She's a genius in this respect.)
I usually listen to audio books as a means of passing the time on my 45-minute commute, and I found myself falling asleep at the wheel a few times during this one, not to mention having my mind wander off constantly because I couldn't keep my concentration on the book-- a problem I have honestly never had before.
My recommendation: if you live for Victorian literature, you will enjoy this book as an exercise in replicating the style of the period, but if you're looking for a well-paced storyline that will keep you from falling asleep at the wheel, skip it until an abriged version is released. As a piece of literary art, this book is incredible, but it's not the kind of art that entertains: it's the kind of mastery true craftsmen should aspire to. The magic in this book is not in its spells, but in its craft.